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Verse:Hmøøh/Suwáábyíq/Music: Difference between revisions
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===Tuning=== | ===Tuning=== | ||
The Sowaár tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Talma/Music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sowaár scales are tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth being used in elite music. Nevertheless, steps in any n-chord are no smaller than about | The Sowaár tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Talma/Music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sowaár scales are tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth being used in elite music. Nevertheless, steps in any n-chord are no smaller than about 40 cents. | ||
The general term for a division of the fourth in Sowaár is ''hambaáj''. | The general term for a division of the fourth in Sowaár is ''hambaáj''. | ||