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User:IlL/Spare pages 1/62: Difference between revisions
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A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in liturgical music) or a ''pezeom'' (a pentatonic subset where 1\24 is not used as a step; used in folk music). | A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in liturgical music) or a ''pezeom'' (a pentatonic subset where 1\24 is not used as a step; used in folk music). | ||
The six possible pentachords: | The six possible pentachords in semaphore[9]: | ||
4411 | 4411 | ||
4141 | 4141 | ||
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1414 | 1414 | ||
1144 | 1144 | ||
Common ''pezeom''s are: | |||
*C-Dh-F-G-Ah-C (symmetric semaphore) | |||
*C-Dh-Eh-G-Ah-C | |||
*C-D-Eh-G-Ah-C (8:9:12:14 extended to an essentially tempered 9-odd limit pentad) | |||
*C-D-E-G-A-C (meantone major pentatonic) | |||
*C-D-F-G-Bb-C | |||
*C-Eb-F-G-Bb-C (rare) | |||
===Shalaian music=== | ===Shalaian music=== | ||