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User:IlL/Spare pages 1/62: Difference between revisions
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EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2) | EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2) | ||
== | ==Netagin music== | ||
Semaphore[9]-based. Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section. | Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section. | ||
A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in folk music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music). | A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in folk music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music). | ||
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==Shalaian music== | |||
Take subsets of 46edo | Take subsets of 46edo | ||
==Ouřefr music== | |||
19edo due to Netagin influence | |||
===Nabbrzé music=== | ===Nabbrzé music=== | ||