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| EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2) | | EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2) |
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| ==Netagin music==
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| Modern Netagin music is usually in 19edo. However, in some contexts (such as traditional styles based on semaphore temperament), a tuning closer to 24edo is preferred; so 24edo will be assumed in these contexts.
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| Liturgical and folk music is semaphore[9]-based.
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| A ''haṅier'' (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords) or a ''pezeom'', a pentatonic subset where 1\24 is not used as a step. Different styles encourage different subset use.
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| ===''Buri''s===
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| In theory, the six possible ''buri''s that build up a scale are:
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| #0-200-400-450-500
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| #0-200-250-450-500
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| #0-200-250-300-500
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| #0-50-250-450-500
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| #0-50-250-300-500
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| #0-50-100-300-500 (rare)
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| In practice, usually only the first five are used. The two ''buri''s may be conjunct (consecutive, spanning a minor seventh) or disjunct (separated by a major second).
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| The top note of a ''buri'' functions similarly to the ''ghammaz'' in Arabic ''ajnas''.
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| A style that emphasizes ''buri''s is preferred for dark, mournful or creepy music (to emphasizing ''pezeom''s).
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| ===''Pezeom''s===
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| Common ''pezeom''s are:
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| *0-250-500-700-950-1200 ("the most neutral-sounding")
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| *0-200-400-700-900-1200 ("mellow and joyful")
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| *0-200-400-700-950-1200 ("majestic")
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| *0-250-450-700-950-1200 ("slightly sad")
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| **variant: 0-200-450-700-950-1200
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| *0-250-500-750-950-1200 ("in pain")
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| *0-300-500-700-1000-1200
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| *0-300-500-700-950-1150
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| *0-250-550-800-1000-1200 ("disoriented")
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| Rarer ''pezeom''s:
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| ===Semaphore[9] harmony===
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| ==Shalaian music== | | ==Shalaian music== |