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Many corvan cultures do not consider simple dyadic harmony or low-complexity-JI-based harmony to be musical per se, any more than speakers of human tonal languages consider their language to be musical. Particularly, speakers of the bitonal language [????] have evolved an impressive Zheanism-like musical tradition utilizing extended high-overtone harmony, various JI colorings of the intervals used in speech, and extremely precise vocal control. | Many corvan cultures do not consider simple dyadic harmony or low-complexity-JI-based harmony to be musical per se, any more than speakers of human tonal languages consider their language to be musical. Particularly, speakers of the bitonal language [????] have evolved an impressive Zheanism-like musical tradition utilizing extended high-overtone harmony, various JI colorings of the intervals used in speech, and extremely precise vocal control. | ||
In other musical cultures, counterpoint is a staple; in one culture, street singers show off their 2-part counterpoint skills. | |||
[[Category:Conworlds]][[Category:Future Earth]] | [[Category:Conworlds]][[Category:Future Earth]] | ||