Glommish/Musical system: Difference between revisions

Jump to navigation Jump to search
Tags: Mobile edit Mobile web edit
Tags: Mobile edit Mobile web edit
Line 31: Line 31:
Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend
Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend


==Lõisian composers and theorists==
==Thedish musical theorists==


*Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music)
*Andrie '''Hóchenhym''', proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
*Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5
*Valþerь '''av þier Fugelvyþe'''
*Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets
*Fráþvin '''Lióbacz'''
*Andrie '''Hóchenhym''', founder of the ''Smœ­̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices
*Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs
*Fráþvin '''Lióbacz''', Thedish ''Smœ­̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave)
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp
*Filiep '''Glaz'''
*Biarhard '''Ytfield'''
*Biarhard '''Ytfield'''
7,728

edits

Navigation menu