Glommish/Musical system: Difference between revisions

Glommish/Musical system (view source)

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 Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend
-==Lõisian composers and theorists==
+==Thedish musical theorists==
-*Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music)
+*Andrie '''Hóchenhym''', proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
-*Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5
+*Valþerь '''av þier Fugelvyþe'''
-*Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets
+*Fráþvin '''Lióbacz'''
-*Andrie '''Hóchenhym''', founder of the ''Smœ̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices
-*Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs
-*Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave)
-*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp
-*Filiep '''Glaz'''
 *Biarhard '''Ytfield'''