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Tags: Mobile edit Mobile web edit |
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| Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend | | Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend |
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| ==Lõisian composers and theorists== | | ==Thedish musical theorists== |
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| *Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music) | | *Andrie '''Hóchenhym''', proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played |
| *Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5
| | *Valþerь '''av þier Fugelvyþe''' |
| *Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets
| | *Fráþvin '''Lióbacz''' |
| *Andrie '''Hóchenhym''', founder of the ''Smœ̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices
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| *Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs | |
| *Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | |
| *(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp
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| *Filiep '''Glaz'''
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| *Biarhard '''Ytfield''' | | *Biarhard '''Ytfield''' |