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Vocal polyphony (''sájer-nóoslownth'' 'group singing') is an important part of Shalian music, especially in ceremonies such as coming of age parties, weddings, festivities, and funerals. Troupes of singers are trained from a young age to harmonize, vocalize rhythms, clap, snap their fingers and make various gestures. Sung music reflects the glottal stops, stress accent and long-short rhythms of the Shalian language.
Vocal polyphony (''sájer-nóoslownth'' 'group singing') is an important part of Shalian music, especially in ceremonies such as coming of age parties, weddings, festivities, and funerals. Troupes of singers are trained from a young age to harmonize, vocalize rhythms, clap, snap their fingers and make various gestures. Sung music reflects the glottal stops, stress accent and long-short rhythms of the Shalian language.


There is also a tradition of orally transmitted folk songs (''amár-nóoslownth'' 'mother's song'). Composed solo vocal music (''jái'ner-nóoslownth'' 'exquisite singing'), to the contrary, was traditionally upper class music as opposed to folk music.
There is also a tradition of orally transmitted folk songs (''mamár-nóoslownth'' 'mother's song'). Composed solo vocal music (''jái'ner-nóoslownth'' 'exquisite singing'), to the contrary, was traditionally upper class music as opposed to folk music.


===Tuning===
===Tuning===
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