139,698
edits
Verse:Hmøøh/Tumhan/Music: Difference between revisions
Jump to navigation
Jump to search
m
→Harmony in the semiquartal scale
Tags: Mobile edit Mobile web edit |
Tags: Mobile edit Mobile web edit |
||
| Line 53: | Line 53: | ||
== Harmony in the semiquartal scale== | == Harmony in the semiquartal scale== | ||
Semiquartal modal harmony (referred to with the neologism ''vynqůr'' '(the gestalt result of) difference [referring to different pitches]' or with the Windermere word ''clisifal'') is a more modern construct. A particular style of it pioneered by the Brycþéñ lly Frindu Jydylisríz has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | Semiquartal modal harmony (haarmony is referred to with the neologism ''vynqůr'' '(the gestalt result of) difference [referring to different pitches]' or with the Windermere word ''clisifal'') is a more modern construct. A particular style of it pioneered by the Brycþéñ lly Frindu Jydylisríz has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | ||
Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. facial expression). These are distinct from the traditional ''hanier''s. | Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. facial expression). These are distinct from the traditional ''hanier''s. | ||