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Verse:Hmøøh/Tumhan/Music: Difference between revisions
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→Harmony in the semiquartal scale
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Semiquartal modal harmony (harmony is referred to with the neologism ''vynqůr'' '(the gestalt result of) difference [referring to different pitches sounded simultaneously]' or with the Eevo word ''eeclind'') is a modern construct. A particular style of it pioneered by the Trician xenharmonic community Brycþéñ lly Frindu Jydylisríz has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | Semiquartal modal harmony (harmony is referred to with the neologism ''vynqůr'' '(the gestalt result of) difference [referring to different pitches sounded simultaneously]' or with the Eevo word ''eeclind'') is a modern construct. A particular style of it pioneered by the Trician xenharmonic community Brycþéñ lly Frindu Jydylisríz has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | ||
Modes of the 9-note scale are called ''hăćemaś'' (sg. ''hăćemeś'', lit. mask). These are distinct from the traditional ''hanier''s. | Modes of the 9-note scale are called ''hăćemaś'' (sg. ''hăćemeś'', lit. mask). These are distinct from the traditional ''hanier''s. | ||
L = C-D, s = C-C# (C-C half-sharp in 24edo) | L = C-D, s = C-C# (C-C half-sharp in 24edo) | ||