Verse:Hmøøh/Tumhan/Music: Difference between revisions

Bjeheondian music often appears "microtonal" or "xenharmonic" from our modern Western perspective, though pentatonic-like scales can be used. In modern times it is usually notated based on a diatonic-based notation with accidentals for non-fifth-based notes. However, real-world intonational practices are not fixed to a particular tuning and use traditional microtonal inflections or fine-tuned intervals, and they differ by region and context. Both court and folk music use melodies based on either scales similar to our pentatonic scale, diatonic-like scales, or the semiquartal (5L 4s MOS) scale, the nine-note scale LLSLSLSLS which is an extension of the familiar pentatonic scale; restriction of melodies to the pentatonic scale shows up sometimes. Diatonic-like melodic shapes sometimes arise as a consequence of altering the semiquartal scale.

Some important modern ''hanier'' artists include composers Baqůr Dyhieć and Qypaś Nabak and singer Stow fa Fitsmil. Some modern composers have introduced hanier counterpoint.