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→Second Remonitionist music
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=== Second Remonitionist music === | === Second Remonitionist music === | ||
Early Second Remonitionist musical styles are derived from Greek Buddhist chanting and polyphonic traditions found in Irta, and follows a system of four roughly equal divisions of a perfect fifth. (Incidentally this is very similar to our timeline's Georgian music) | Early Second Remonitionist musical styles are derived from Greek Buddhist chanting and Azalic polyphonic traditions found in Irta, and follows a system of four roughly equal divisions of a perfect fifth. (Incidentally this is very similar to our timeline's Georgian music) | ||
This was the dominant musical practice among Remonitionists who first migrated to Tricin, and the most common musical systems among Remonitionists in Cualand are 12ed3/2 and 24ed3/2. | This was the dominant musical practice among Remonitionists who first migrated to Tricin, and the most common musical systems among Remonitionists in Cualand are 12ed3/2 and 24ed3/2. | ||