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Verse:Irta/Music: Difference between revisions
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→Second Remonitionist music
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Early Second Remonitionist musical styles are derived from Greek Buddhist chanting and Azalic polyphonic traditions found in Irta, and follows a system of four roughly equal divisions of a perfect fifth. (Incidentally this is very similar to our timeline's Georgian music) | Early Second Remonitionist musical styles are derived from Greek Buddhist chanting and Azalic polyphonic traditions found in Irta, and follows a system of four roughly equal divisions of a perfect fifth. (Incidentally this is very similar to our timeline's Georgian music) | ||
This was the dominant musical practice among Remonitionists who first migrated to Tricin, and the most common musical | This was the dominant musical practice among Remonitionists who first migrated to Tricin, and the most common musical system among Remonitionists in Cualand is 41edo. | ||
== Corsican == | == Corsican == | ||