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m (→Tsarfati) |
m (→Cualand Jewish) |
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Line 90: | Line 90: | ||
* organ | * organ | ||
Modern cłorșăchăn are usually electro-acoustic. | Modern cłorșăchăn are usually electro-acoustic. | ||
== Cualand | ==Talma== | ||
=== Hebrew cantillation === | |||
Based on oneirotonic, uses modes such as LLLSLSLS, LLSLLSLS, LLSLLSLS, LSLLSLLS, LSLSLSAS, LSLSLLLS, SLSLLSLL, with varying tunings which can change when singing; marimbas are common in synagogues | |||
==Cualand== | |||
===Hebrew cantillation=== | |||
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian. Doctrinally Judaism is no more weird than the full range of Rabbinic Judaism in our timeline. | |||
[[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]] | |||
==Carnatic music== | ==Carnatic music== |
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