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Verse:Irta/Music: Difference between revisions
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Tsarfati music is stylistically halfway between our Ashkenazi music (due to Irta Eastern European music being similar to our timeline's) and Irish folk music. | Tsarfati music is stylistically halfway between our Ashkenazi music (due to Irta Eastern European music being similar to our timeline's) and Irish folk music. | ||
Rhythmic elements from Irish prosody, such as Scotch snaps, are usually considered a regionalism, because most dialects of An Yidis do not have vowel length. However, during the Tsarfati Enlightenment period in Tsarfati music, Irta Irish elements including Irish prosody became a trend. | Rhythmic elements from Irish prosody, such as Scotch snaps, are usually considered a regionalism, because most dialects of An Yidis do not have vowel length. However, during the Tsarfati Enlightenment period in Tsarfati music, Irta Irish elements including Irish prosody became a trend. This was less strong in areas where Hasidism was popular. | ||
=== Tuning === | === Tuning === | ||
Intonation often happens by ear and is not necessarily JI-based (cf. maqam music). Tuning systems used differ by the individual community. Fixed pitch instruments use subsets of 38edo. Neutral intervals are commonly used as in maqam. | Intonation often happens by ear and is not necessarily JI-based (cf. maqam music). Tuning systems used differ by the individual community. Fixed pitch instruments use subsets of 38edo. Neutral intervals are commonly used as in maqam. | ||