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Verse:Irta/Music: Difference between revisions
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This was the dominant musical practice among Remonitionists who first migrated to Tricin, and the most common musical system among Remonitionists in Cualand is 41edo. | This was the dominant musical practice among Remonitionists who first migrated to Tricin, and the most common musical system among Remonitionists in Cualand is 41edo. | ||
== Corsican == | == Arabic == | ||
No maqam 3ajam (assuming a 17edo-based theory) | |||
=== Corsican === | |||
Sean-nós style in Arabic maqams, this style is called ''ānə'' (cognate to Maltese ''għana'') in Corsican Arabic | Sean-nós style in Arabic maqams, this style is called ''ānə'' (cognate to Maltese ''għana'') in Corsican Arabic | ||
=== New maqams === | ==== New maqams ==== | ||
Some maqams named after Irish or Celtic places or scales in Irta Irish classical music | Some maqams named after Irish or Celtic places or scales in Irta Irish classical music | ||