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Verse:Irta/Music: Difference between revisions
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→Carnatic music
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*Some ragas go by different names from our timeline, like the 21st melakarta is known as ''Paramanohari'' instead of ''Kīravāṇi'', and the 32nd melakarta is known as ''Khagavāhini'' instead of ''Rāgavardhini''. | *Some ragas go by different names from our timeline, like the 21st melakarta is known as ''Paramanohari'' instead of ''Kīravāṇi'', and the 32nd melakarta is known as ''Khagavāhini'' instead of ''Rāgavardhini''. | ||
*The melakarta system is controversial, unlike in our timeline -- some theorists including ___ Sastri of ___ believe that ragas shouldn't really be analyzed in terms of a fixed scalar framework | *The melakarta system is controversial, unlike in our timeline -- some theorists including ___ Sastri of ___ believe that ragas shouldn't really be analyzed in terms of a fixed scalar framework | ||
*Purely instrumental music is much more common and there is a separate genre of instrumental music which is roughly like Bharatanatyam dance music in our timeline -- this includes wordless ''varnam''s and ''tillana''s | *Purely instrumental music is much more common and there is a separate genre of instrumental music which is roughly like Bharatanatyam dance music in our timeline -- this includes wordless ''varnam''s and ''tillana''s. Some of the simpler ones (which do not involve chords and have a small range) are even taught as "vocalise" pieces. Instrumental music is generally technically much more complex and sometimes, pieces are written for very specific instruments (e.g. veena music would be written differently from esraj music). | ||
===72 melakartas in Irta=== | ===72 melakartas in Irta=== | ||
*Kanakāmbari: C Db Ebb F G Ab Bbb | *Kanakāmbari: C Db Ebb F G Ab Bbb | ||