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Both practices were dominant among Remonitionists who first migrated to Tricin, and the most common musical system among Remonitionists in Cualand is 41edo. | Both practices were dominant among Remonitionists who first migrated to Tricin, and the most common musical system among Remonitionists in Cualand is 41edo. | ||
=== Classical and Romantic music === | |||
Classical and Romantic music are very similar to our timeline. | |||
Triadic polyphony in Irta evolved mainly from folk adaptations of Second Remonitionist polyphony, with melodic tendencies as in our timeline's "expressive intonation" resulting in a roughly 12 tone division of the octave. A notable difference is that the piano isn't as prominent -- in contrast, string ensembles and voice are given precedence which makes the classical idea of intonation in Irta much more fluid than in our timeline, with theorists often acknowledging subtle variations of a note, and there are various proposals to explain intonation in Irtan classical music. | |||
== Arabic == | == Arabic == |
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