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{{Naeng sidebar}}Written by Inthar | {{Naeng sidebar}}Written by Inthar | ||
'''Bjeheondian music''' is a monophonic tradition based on [[Netagin]] music called the ''hanier'' (Ntg. 'stepping') tradition, which in modern times is based on pentatonic scale subsets of 24 equal divisions of the octave. The premise of the ''hanier'' tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?" | '''Bjeheondian music''' is a monophonic tradition based on [[Anbirese]]/[[Netagin]] music called the ''hanier'' (Ntg. 'stepping') tradition, which in modern times is based on pentatonic scale subsets of 24 equal divisions of the octave. The premise of the ''hanier'' tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?" | ||
== ''Buri''s == | == ''Buri''s == | ||
The ''buri'' (Ntg. 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth. | The ''buri'' (Ntg. 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth. | ||