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**chord voicings | **chord voicings | ||
**The tonality diamond is described as a way to "connect" overtone chords/scales over different fundamentals. | **The tonality diamond is described as a way to "connect" overtone chords/scales over different fundamentals. | ||
Tsăhongtamdi's most influential recommendation was against using fixed-pitch instruments; he argued that they were expressively limited. This recommendation was lasting in influence - most instruments used in traditional Hlou-Shum music are flexible-pitch instruments. | |||
==Full text (Schlaub)== | ==Full text (Schlaub)== |
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