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:Dama can further evolve by discovering new combinations of words - to that, we can find no limit. The limitation is that every new combination discovered and everything else should be expressed '''according to the above rules'''; then it is perfectly correct; of course, when we say something in Dama, we should imagine ourselves in the receiver's position: "what would I understand if somebody told me that?". | :Dama can further evolve by discovering new combinations of words - to that, we can find no limit. The limitation is that every new combination discovered and everything else should be expressed '''according to the above rules'''; then it is perfectly correct; of course, when we say something in Dama, we should imagine ourselves in the receiver's position: "what would I understand if somebody told me that?". | ||
The central style, which, although impressive by its name, has hardly been applied until June 2016, uses open vowels (O/E) with K-, N-, J-, W-, S- and close vowels (U/I) with T-, B-, M-, R-. | |||
Apart from these two, the user of Dama can choose between K/G, T/TS/D, O/U, E/I depending on many factors that can influence one’s choice; such factors are: | |||
* differentiation: the central style can be very useful for differentiating similar words. Also, if you feel a chance to confuse M to N, you can pronounce M somewhat longer (like MM), and if you feel a K might be confused with T, pronounce T aspirate (just like English "t") and K unaspirated. | |||
*choosing voiced G, D for the second syllables and the corresponding voiceless K, T for the beginning of words or vice versa, can be helpful for differentiating similar words and also for additional indicating the beginning and end of each word in pronunciation. | |||
Apart from these two, the user of Dama can choose between | * dissimilation for taboo reasons: e.g. those who have Turkish as their first language, may choose to pronounce SEK- or SIG- instead of SIK- which in Turkish signifies the penis and its action. While Greeks can prefer "MON-" (door, window, gate) to "MUN-" which is reminiscent of the Greek word for "vulva". | ||
* differentiation: | * facilitating the memory; e.g. an English speaker may prefer to pronounce "GODU" instead of "KUTO" (high), so as to connect the word to "God" in memory; while a Turkish speaker may find it better to pronounce the same "KUTO", so as to be reminded of "KUT" (divine favor). This tactic can be used very extensively, as every Dama word is reminiscent of similar words in all languages. | ||
* dissimilation for taboo reasons: e.g. those who have Turkish as their first language, may choose to pronounce | * influences of the speakers' first language: e.g. if the speaker has no /w/ sound in his/her native language (as happens with Germans, Greeks, Italians, Turks, and others), can pronounce ɸ / β / f / v / ʋ in the place of /w/. For Greeks, the “J” is realized only as /ʝ/ or /ç/, but for most other people /j/ is easier. | ||
* facilitating the memory; e.g. an English speaker may prefer to pronounce " | Some languages make the vowels E/O when stressed and I/U when unstressed, while other languages do the opposite. | ||
* influences of the speakers' first language: e.g. if the speaker has no /w/ sound in his/her native language (as happens with Germans, Greeks, Italians, Turks, and others), can pronounce ɸ / β / f / v / ʋ in the place of /w/. | |||
Some languages make the vowels | |||
* simply personal taste: a user may prefer "tsawo" instead of "tawo" (sharp / acid / sour), just because the "tsawo" sounds more "acid" to his/her feeling. | * simply personal taste: a user may prefer "tsawo" instead of "tawo" (sharp / acid / sour), just because the "tsawo" sounds more "acid" to his/her feeling. | ||
* facilitating word division in oral use: so, for example, it is preferable to pronounce the final /n/ as /ŋ/, and /h/ (or similar sounds) can freely be pronounced before word-initial vowels, while /x/ can be freely added to the end of monosyllabic words ending in vowels. | * facilitating word division in oral use: so, for example, it is preferable to pronounce the final /n/ as /ŋ/, and /h/ (or similar sounds) can freely be pronounced before word-initial vowels, while /x/ can be freely added to the end of monosyllabic words ending in vowels. | ||
:: | :: | ||
Of course, there must be some limitations in such personalization, so that the Dama can function as an international auxiliary language: | Of course, there must be some limitations in such personalization, so that the Dama can function as an international auxiliary language: | ||
*It is strongly recommended that the disyllabic words have different stress / pitch / length / vowel openness (height) | *It is strongly recommended that the disyllabic words have different stress / pitch / length / vowel openness (height) over their two syllables, or at least monosyllabic words should take as much time as disyllabic ones in pronunciation when not pronounced together with the previous word. | ||
*To pronounce Dama words together is not only permitted but also encouraged, for showing in speech how words group together (in writing this can be facilitated by hyphens and punctuation). The 6 monosyllabic words | *To pronounce Dama words together is not only permitted but also encouraged, for showing in speech how words group together (in writing this can be facilitated by hyphens and punctuation). The 6 monosyllabic words A, I, O, UN, IN, AN can freely be enclitics or proclitics (joined in pronunciation with the previous or next word), but the monosyllabic words starting with consonants can be joined (as enclitics) to their preceding word only; it can be a bad habit (for possibly creating some confusion) to pronounce such monosyllabic words joint (as proclitics) to their following ones. | ||
*To write Dama words together as one word might help to show how the words combine together, but that can | *To write Dama words together as one word might help to show how the words combine together, but that can confuse the learners. Writing several words without word division might be used some time in the future if people are proficient in Dama; even in that case, the rule should be that no monosyllabic word starting with a consonant should be jointly written with other words, unless that monosyllabic is in the end of the set or is ending with -n in the beginning of the set. The best way to join Dama words together is by using a hyphen and not absence of dividing space. | ||
*Only the 16 letters a b d e g i j k m n o r s t u w (including the combinations | *Only the 16 letters a b d e g i j k m n o r s t u w (including the combinations TS and DS) may be used when writing Dama with the Latin alphabet. Palatal sounds (e.g. /c/, /ɟ/) should be considered phonemically same as velar (k/g), and not same as dentals (t/d). The sound /p/ should be avoided, at least by making it emphatic or ejective, and lateral sounds should not be accepted in Dama. | ||
:These limitation define the acoustic "flavor" and character of Dama, just like a Pythagorean or analogous musical scale that has limited positions so that everything played on it sounds pleasant and harmonious. | :These limitation define the acoustic "flavor" and character of Dama, just like a Pythagorean or analogous musical scale that has limited positions so that everything played on it sounds pleasant and harmonious. | ||
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== Phonology and phonotactics / kumo sijo, kumo nijo == | == Phonology and phonotactics / kumo sijo, kumo nijo == | ||
Dama has 3 vowel phonemes: a, i/e, u/o. It is also possible to use two allophones of " | Dama has 3 vowel phonemes: a, i/e, u/o. | ||
:It is also possible to use two allophones of "A" like, for example, /a/ and /ʌ/, if that feels better for native speakers of a language that differentiates between a closer and a slightly more open "A"; in this version Dama has an open and a close form of each vowel; the open A is /a/ and the close A is /ʌ/ (or a similar pair of sounds), but both those A should be written by the same letter A. In the version with two kinds of A, the close A (/ʌ/) follows the chosen phonotactics for all close vowels (i, u, close A), and the open A (/a/) follows the chosen phonotactics for all open vowels (e, o, open A): (e.g. close A in the first syllable and open A in the suffix, when the western style is used). | |||
Dama has 9 consonant phonemes: k/g, t/d/ts, b, n, m, j, r, w, s. | |||
There are many possible allophones, such as /v/ or /ɸ/ for w, but the use of | There are many possible allophones, such as /v/ or /ɸ/ for w, but the use of /p/ is discouraged while "L" (lateral sounds articulated with the tongue) is not acceptable. The word final -N is best pronounced as /ŋ/ if possible. | ||
=== Writing systems / kiwon rijo === | === Writing systems / kiwon rijo === | ||
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Words, mainly proper names, inserted from other languages, follow their original spelling and are written with only their first letter capital, while the true Dama words use only lower or only upper case letters. | Words, mainly proper names, inserted from other languages, follow their original spelling and are written with only their first letter capital, while the true Dama words use only lower or only upper case letters. | ||
Sometimes, even Dama words are written with only their first letter capital, to show that they are used as proper names, as the name Dama Diwan itself. | |||
*Every other writing system can also be used for writing Dama; however, the Latin alphabet is preferred. | *Every other writing system can also be used for writing Dama; however, the Latin alphabet is preferred. | ||
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:9 =g, G, k | :9 =g, G, k | ||
:0 =O, o, u, w. | :0 =O, o, u, w. | ||
So the 10 digits are quite enough to write the 12 phonemes of Dama Diwan language. | So the 10 digits are quite enough to write the 12 phonemes of Dama Diwan language. | ||
*Such a small number of indispensable digits to represent Dama means we can use only those for Morse code, so if we symbolise a dot by “.” and a dash by “-”, the necessary Morse symbols (by order of brevity, the shorter for the more frequent) are: | *Such a small number of indispensable digits to represent Dama means we can use only those for Morse code, so if we symbolise a dot by “.” and a dash by “-”, the necessary Morse symbols (by order of brevity, the shorter for the more frequent) are: | ||
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: .-. =9 =g, G, k | : .-. =9 =g, G, k | ||
: ..- =6 =b, B | : ..- =6 =b, B | ||
:(In Dama, the difference between | :(In Dama, the difference between I/E, U/O is not phonemic. J and W as phonemes are different, but Dama words only start with CONSONANTS (including J, W), and then there is always a vowel after each consonant with the exception of final N (which is better, but not compulsory, to be pronounced as /ŋ/). Therefore, 14102 can only be JAJON or JAJUN, both correct in Dama; and the same happens with all other Dama words: they can be rendered totally correctly by the use of only the 10 digits, that is with a pad of only 10 digits plus a space key. The connection of the 10 digits to Latin letters is obvious, based on similarity of shape.) | ||
*Dama Braille (described in the last pages of https://www.academia.edu/12434367/theory_history) also uses only 10 symbols and it can be learnt in 3 minutes, while formal Braille has a repertoire of 256 possible signs and requires at least 3 months to be learnt with the quickest teaching course. | *Dama Braille (described in the last pages of https://www.academia.edu/12434367/theory_history) also uses only 10 symbols and it can be learnt in 3 minutes, while formal Braille has a repertoire of 64 possible signs (with 2 columns of 3 dots for each letter) expandable to 256 possible signs (with 2 columns of 4 dots for each letter, as available in the Segoe UI Symbol font) and requires at least 3 months to be learnt with the quickest teaching course. | ||
*Dama is also unique in having its own writing system which is logographic and phonemic at the same time, as explained in https://www.academia.edu/12434367/theory_history . | *Dama is also unique in having its own writing system which is logographic and phonemic at the same time, as explained in https://www.academia.edu/12434367/theory_history . | ||
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There are also some documents in the files of the group: | There are also some documents in the files of the group: | ||
https://www.facebook.com/groups/omado.sosti.matiko/files/ | https://www.facebook.com/groups/omado.sosti.matiko/files/ | ||
and in https://crete.academia.edu/GiannhsKenanidhs/Dama-Diwan-Language, including the [https://www.academia.edu/12434367/theory_history explanation why] Dama is not really a language constructed by a person or people. Although Dama Diwan is a perfect language, human knowledge of it is still ( | and in https://crete.academia.edu/GiannhsKenanidhs/Dama-Diwan-Language, including the [https://www.academia.edu/12434367/theory_history explanation why] Dama is not really a language constructed by a person or people. Although Dama Diwan is a perfect language, human knowledge of it is still (2016) not perfect; We know that it is the ideal international auxiliary language because it has already been proven capable to create many good quality texts conveying successfully knowledge of any kind. | ||
== Sample texts / kiwo rano == | == Sample texts / kiwo rano == | ||
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:nomu tesu rora / numo tiso rura / 2030 7150 8084 | :nomu tesu rora / numo tiso rura / 2030 7150 8084 | ||
:nomu tesu man jetu / numo tiso man jito / 2030 7150 342 1170 | :nomu tesu man jetu / numo tiso man jito / 2030 7150 342 1170 | ||
:i | :i jetu boma nomu ma jetu / i jito buma numo ma jito / 1 1170 6034 2030 34 1170 | ||
:[ooomm] | :[ooomm] | ||
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