Verse:Hmøøh/Pategia: Difference between revisions

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-'''Trăngsi'uł''' (''PARK-uh''; [[Windermere]]: ''Parca'' /ˈpʰaɾkʰə/, [[Trăngsi'uł]]: ''Paḷkha'' /paɭkʰa/, [[Roshterian]]: ''Qaanuuṯu'') is a predominantly Windermere-speaking [[Bjeheond]]ian country. It is located near [[Verse:Tricin/Qaaroshter]].
+'''Pategia''' ([[Windermere]]: ''Wen Nutu'', [[Pategian]]: <i>Nủtuqeli</i> or <i>Pâtẻgqeli</i>) is a predominantly Windermere-speaking country.
+Anthem: Chnur Păchnay Sămtsay ('King Sămtsay Song')
 ==Geography==
-Its capital is Răthamrona (Ḷdamrōṇa in the native Paḷkhan language).
+Its capital is Thamngethra, from the Skellan phrase ''dy arm a Ñeðra'' (Ngedhra lives).
-==Wildlife==
-Palkha has distinct wildlife though not as distinct as Cualuav.
-==Music==
+Sarana River (''Yoch Saranea'')
-Inspiration: gayageum sanjo, Ancient Greek music?
+==Wildlife==
+Pategia has distinct wildlife though not as distinct as Cualuav.
-The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (''feam Trăngsi'uł'' in Windermere; ??? in Trăngsi'uł).
+==Religion==
+The indigenous religion of Pategia, ''Thỉrot·ekhemleci'', is quite similar to Celtic paganism, and is followed by about 20% of Pategians today. The rest are mostly atheist or Ngeðraist.
-Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Palkhan music tends to be richly ornamented, and is based on a heptatonic scale.
+==Music==
+Model: Medieval music
-Some ornaments include:
-*grace notes
-*rapid trills and turns
-*slides
-Trăngsi'uł has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi'uł, such as the song with intoning voice (''wălam yăthmear''). Trăngsi'uł is in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Palkhan classical styles in addition to Windermere ones.
-===Răthamrona school===
-Rough timeline:
-years before present: Styles very similar to minimalism and ambient music emerge in Palkha. Pieces composed by the Răthamrona school around that time can stretch for over 5 hours.
-years BP: People have enough of that style and rebel, creating some of the most wildly dissonant music in Tricin (sometimes using crazy equal temperaments).
-years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Palkha, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years.
-===Trăngsi'uł minimalism===
-Minimalist pieces from the Răthamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma.
-===Trăngsi'uł postminimalism===
-Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms.
-==Famous Palkhans==
+==Famous Pategians==
+Srăga '''Tsayfuan''' - fantasy author
-Dăraf '''Ko''' - neoclassical composer of (Bjeheondian) Windermere descent
+Dăraf ?? - neoclassical composer of (Bjeheondian) Windermere descent
 Minimalist composers?
@@ Line 48: / Line 27: @@
 A Brian Eno-like figure?
-Schaus-Schaus '''Flein''' - postminimalist composer
+?? - postminimalist composer