Verse:Hmøøh/Talma: Difference between revisions
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*(''farraiŋŋ'' (m; pl. ''farraiŋŋí'') = early natural horn) | *(''farraiŋŋ'' (m; pl. ''farraiŋŋí'') = early natural horn) | ||
*''lázáf'' (m; pl. ''lázáfa''; Netagin ''ȝâzâf'') = a trombone; exists in many different pitch ranges, such as soprano, alto, tenor, and bass ''lázáfa'' | *''lázáf'' (m; pl. ''lázáfa''; Netagin ''ȝâzâf'') = a trombone; exists in many different pitch ranges, such as soprano, alto, tenor, and bass ''lázáfa'' | ||
*'' | *''ennmhochar'' (m; pl. ''ennmhocharta'') = musical saw | ||
*''gafús'' (m; pl. ''gafúsa'') = a slide bassoon | *''gafús'' (m; pl. ''gafúsa'') = a slide bassoon | ||
*''misgól'' (m; pl. ''misgóla'') = a slide flute | *''misgól'' (m; pl. ''misgóla'') = a slide flute | ||
=====Fixed-pitch===== | =====Fixed-pitch===== | ||
*''spúith'' (f; pl. '' | *''spúith'' (f; pl. ''spúither'') = plucked string instrument with sympathetic strings | ||
*''jóghám'' (m; pl. ''jógháma'') = a zither | *''jóghám'' (m; pl. ''jógháma'') = a zither | ||
*''tuaim'' (f; pl. '' | *''tuaim'' (f; pl. ''tuaimer'') = a reed instrument | ||
*''fuín'' (m; pl. ''fuíní'') = a drum | *''fuín'' (m; pl. ''fuíní'') = a drum | ||
*''seomhoidhre'' (m; pl. ''seomhoidhrí'') = some multi-row autoharp thing controlled by a removable isomorphic keyboard (pieces are often written for two or more ''seomhoidhrí'' keyboards that are separated by a tuning offset so that the player has access to different octaves) | *''seomhoidhre'' (m; pl. ''seomhoidhrí'') = some multi-row autoharp thing controlled by a removable isomorphic keyboard (pieces are often written for two or more ''seomhoidhrí'' keyboards that are separated by a tuning offset so that the player has access to different octaves) | ||
*'' | *''agecáta'' (m; pl. ''agecátaí''; Nurian ''aġġiakkātą'') = pasta guitar-like instrument of [[Nurian]] origin, with a bridge to separate two rows of strings that are an octave apart. Common aġġiakkātą models have 21 strings (folk), 29 strings (classical) or 37 strings (deluxe). | ||
Tuning to temperaments was done with reference instruments or monochords before the invention of modern electronics. | Tuning to temperaments was done with reference instruments or monochords before the invention of modern electronics. | ||