Verse:Hmøøh/Talma: Difference between revisions

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Here follows a crude periodization of Etalocian classical music:

*~~Early period:~~ Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales

*Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales

*~~Classical period:~~ Tsáhóng Tamdí's treatise ''Elements of Harmony'' is published~~, beginning the search for the "optimal" JI scale.~~ ~> tonality diamonds, Partchian scales

*Tsáhóng Tamdí's treatise ''Elements of Harmony'' is published ~> tonality diamonds, Partchian scales

*~~Medieval:~~ more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms; emergence of opera; more instrumental; instruments start to assume modern form. ~~music~~ mostly sounds "sweet" at this time.

*more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms; emergence of opera; more instrumental; instruments start to assume modern form. Music mostly sounds "sweet" up to this time.

*"Romantic" period: freer use of expressive "dissonant" harmony; longer music and larger orchestras; higher-limit (occasionally 17-limit) harmony is a given; ppl abandon "scales"

*"Romantic" period: freer use of expressive "dissonant" harmony; longer music and larger orchestras; higher-limit (occasionally 17-limit) harmony is a given; ppl abandon "scales"; incorporation of foreign styles

*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music

*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music favored

*Modern period:

@@ Line 70: / Line 70: @@
 Here follows a crude periodization of Etalocian classical music:
-*Early period: Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales
+*Throat-singing, natural horns, monochords lead to knowledge of higher harmonics; mainly overtone scales
-*Classical period: Tsáhóng Tamdí's treatise ''Elements of Harmony'' is published, beginning the search for the "optimal" JI scale. ~> tonality diamonds, Partchian scales
+*Tsáhóng Tamdí's treatise ''Elements of Harmony'' is published ~> tonality diamonds, Partchian scales
-*Medieval: more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms; emergence of opera; more instrumental; instruments start to assume modern form. music mostly sounds "sweet" at this time.
+*more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms; emergence of opera; more instrumental; instruments start to assume modern form. Music mostly sounds "sweet" up to this time.
-*"Romantic" period: freer use of expressive "dissonant" harmony; longer music and larger orchestras; higher-limit (occasionally 17-limit) harmony is a given; ppl abandon "scales"
+*"Romantic" period: freer use of expressive "dissonant" harmony; longer music and larger orchestras; higher-limit (occasionally 17-limit) harmony is a given; ppl abandon "scales"; incorporation of foreign styles
-*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music
+*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music favored
 *Modern period: