Verse:Hmøøh/Talma: Difference between revisions
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*Tsáhóng Tamdí's treatise ''Elements of Harmony'' is published ~> tonality diamonds, Partchian scales | *Tsáhóng Tamdí's treatise ''Elements of Harmony'' is published ~> tonality diamonds, Partchian scales | ||
*more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms; emergence of opera; more instrumental; instruments start to assume modern form. Music mostly sounds "sweet" up to this time. | *more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms; emergence of opera; more instrumental; instruments start to assume modern form. Music mostly sounds "sweet" up to this time. | ||
*"Romantic" period: freer use of expressive "dissonant" harmony; longer music and larger orchestras; higher-limit (occasionally 17- and 19-limit) harmony is a given; ppl abandon "scales"; incorporation of foreign styles | *"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras; higher-limit (occasionally 17- and 19-limit) harmony is a given; ppl abandon "scales"; incorporation of foreign styles | ||
*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and seomhoidhrí favored | *Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and seomhoidhrí favored | ||