Verse:Hmøøh/Talma: Difference between revisions
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*"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras; higher-limit (occasionally with ratios of 17, 19, 23, 29, 31) harmony is a given; ppl abandon "scales"; incorporation of foreign styles | *"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras; higher-limit (occasionally with ratios of 17, 19, 23, 29, 31) harmony is a given; ppl abandon "scales"; incorporation of foreign styles | ||
*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and seomhoidhrí favored. Some see this as a step to democratizing music. | *Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and seomhoidhrí favored. Some see this as a step to democratizing music. | ||
**Fugues/canons in weird temperaments is Etalocin's serialism analogue | |||
*... | *... | ||