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Chlouvānem: Difference between revisions
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==Writing system - Jīmalāṇa== | ==Writing system - Jīmalāṇa== | ||
[[File:Chlouvānem-script-parts.png|thumbnail|The word "Chlouvānem" in the native script, with the parts colour-coded according to function.]] | [[File:Chlouvānem-script-parts.png|thumbnail|The word "Chlouvānem" in the native script, with the parts colour-coded according to function.]] | ||
Chlouvānem has been written since the | Chlouvānem has been written since the early 5th millennium in an abugida called ''chlouvānumi jīmalāṇa'' ("Chlouvānem script", the noun ''jīmalāṇa'' is actually a collective derivation from ''jīma'' "character"), developed with influence of the script used for the ancient Kūṣṛmāthi language. The orthography for Chlouvānem represents how it was pronounced in Classical times, but it's completely regular to read in all present-day local pronunciations. | ||
The Chlouvānem alphabet is distinguished by a large number of curved letter forms, arising from the need of limiting vertical lines as much as possible in order to avoid tearing the leaves on which early writers wrote. Straight vertical or horizontal lines are in fact present in a few letters (mostly the rarer ones, such as independent vowels) but they have been written as straight lines only since typewriting was invented. Being an abugida, vowels (including diphthongs) are mainly represented by diacritics written by the consonant they come after (some vowel diacritics are actually written before the consonant they are tied to, however); '''a''' is however inherent in any consonant and therefore does not need a diacritic sign. Consonant clusters are usually representing by stacking the consonants on one another (with those that appear under the main consonant sometimes being simplified), but a few consonants such as '''r''' and '''l''' have simplified combining forms. The two consonants '''ṃ''' and '''ь''' are written with diacritics, as they can't appear alone. There are also special forms for final '''-m''', '''-s''', and '''-h''' due to their commonness; other consonants without inherent vowels have to be written with a diacritic sign called ''priligis'' (deleter), which has the form of a dot above the letter. | The Chlouvānem alphabet is distinguished by a large number of curved letter forms, arising from the need of limiting vertical lines as much as possible in order to avoid tearing the leaves on which early writers wrote. Straight vertical or horizontal lines are in fact present in a few letters (mostly the rarer ones, such as independent vowels) but they have been written as straight lines only since typewriting was invented. Being an abugida, vowels (including diphthongs) are mainly represented by diacritics written by the consonant they come after (some vowel diacritics are actually written before the consonant they are tied to, however); '''a''' is however inherent in any consonant and therefore does not need a diacritic sign. Consonant clusters are usually representing by stacking the consonants on one another (with those that appear under the main consonant sometimes being simplified), but a few consonants such as '''r''' and '''l''' have simplified combining forms. The two consonants '''ṃ''' and '''ь''' are written with diacritics, as they can't appear alone. There are also special forms for final '''-m''', '''-s''', and '''-h''' due to their commonness; other consonants without inherent vowels have to be written with a diacritic sign called ''priligis'' (deleter), which has the form of a dot above the letter. | ||
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===Writing=== | ===Writing=== | ||
The Chlouvānem script is almost entirely composed of curved lines as, initially, it was written on leaves with reeds (''fålka'', pl. ''fålkai'') or brushes (''lattah'', pl. ''lattai''). With the invention, in the | The Chlouvānem script is almost entirely composed of curved lines as, initially, it was written on leaves with reeds (''fålka'', pl. ''fålkai'') or brushes (''lattah'', pl. ''lattai''). With the invention, in the late 5th millennium, of paper (traditional Chlouvānem paper or ''mirtah'' is handmade by fibres from various types of wooden bushes; traditional papermaking is still important today as formal handwritten documents are usually written on traditional paper), the use of reeds or brushes often became region-dependant; the reeds of the ''ñagala'' plant became the dominant writing tool in most of the plains, as this plant abundantly grows by the river shores; in the Jade Coast, brushes (whose "hair" are actually fibres of wetland plants such as the ''jalihā'') were preferred.<br/> | ||
Today, pens (''titė'', pl. ''titiai'') are the main writing tool together with graphite pencils (''baute'', pl. ''bautiai''). Non-refillable dip pens were the first to be introduced - an Evandorian invention that was "seized" by the Chlouvānem during the | Today, pens (''titė'', pl. ''titiai'') are the main writing tool together with graphite pencils (''baute'', pl. ''bautiai''). Non-refillable dip pens were the first to be introduced - an Evandorian invention that was "seized" by the Chlouvānem during the early 7th millennium occupation of Kátra, a Nordûlaki colony on Ogúviutón - and with the advent of industrial papermaking they became more and more popular; fountain pens were evolved from them first in Nivaren, and in 4E 2 the first fountain pen manufacturer in the Inquisition opened. Ballpoint pens are, on Calémere, a much recent invention, and first appeared in the Inquisition about forty years ago. They are still not used as much as fountain pens when writing on normal paper.<br/> | ||
The traditional ''fålkai'' and ''lattai'' have not disappeared, as both are still found and used - even if only with traditional handmade paper. Both are commonly used for calligraphy as well as in various other uses: for example, [[w:Banzuke|banzuke]] papers for tournaments of most traditional sports are carefully handwritten with reed pens, as are many announcements by local temples (written with either reed pens or brushes); a newer type of brush pen (much like Japanese [[w:Fudepen|fudepen]]s) has proven to be particularly popular even in everyday use (both with traditional and modern industrial paper) in the Jade Coast area - many Great Inquisitors from there, including incumbent Hæliyoušavi Dhīvajhūyai ''Lairė'', have been seen writing official document with such kind of pens. | The traditional ''fålkai'' and ''lattai'' have not disappeared, as both are still found and used - even if only with traditional handmade paper. Both are commonly used for calligraphy as well as in various other uses: for example, [[w:Banzuke|banzuke]] papers for tournaments of most traditional sports are carefully handwritten with reed pens, as are many announcements by local temples (written with either reed pens or brushes); a newer type of brush pen (much like Japanese [[w:Fudepen|fudepen]]s) has proven to be particularly popular even in everyday use (both with traditional and modern industrial paper) in the Jade Coast area - many Great Inquisitors from there, including incumbent Hæliyoušavi Dhīvajhūyai ''Lairė'', have been seen writing official document with such kind of pens. | ||