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Chlouvānem/Literature: Difference between revisions
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===Nonconformist Nāɂahilūmi literature=== | ===Nonconformist Nāɂahilūmi literature=== | ||
The strong Nāɂahilūmi control on public opinion and propaganda machine favoured the birth of "flowism" (''buñjñanædani''), a markedly nihilist literary movement, strongly influenced by the earlier work of Lileikhurāvi Yukahināri ''Mæmihūmya'', opposing the regime's rhetoric by depicting passive people, moral ambiguity, and a fading will to live. While some flowists – such as | The strong Nāɂahilūmi control on public opinion and propaganda machine favoured the birth of "flowism" (''buñjñanædani''), a markedly nihilist literary movement, strongly influenced by the earlier work of Lileikhurāvi Yukahināri ''Mæmihūmya'', opposing the regime's rhetoric by depicting passive people, moral ambiguity, and a fading will to live. While some flowists – such as Bāndityāvi Raṣṇyabayeh ''Hānimausa'' – were aligned with the small anti-Nāɂahilūmi minority of Inquisitors, most of them never expressed a real political position, and simply stated their nonconformist attitude in their works.<br/> | ||
As a further sign of distancing themselves from the official rhetoric, most flowists adopted a highly symbolist, cryptic style of poetry, with a seemingly confused pattern of short and very long meterless verses, often concerned just as equally as words with the layout of the writing itself on paper. Both poetical figures and the smaller novel production of flowist literature are deeply characterized by the significant role of involuntary memory, and mostly wrote prose through stream of consciousness – expanding on the pioneer work by Yukahināri during the previous century, most notably in Tramway to the Beach. | As a further sign of distancing themselves from the official rhetoric, most flowists adopted a highly symbolist, cryptic style of poetry, with a seemingly confused pattern of short and very long meterless verses, often concerned just as equally as words with the layout of the writing itself on paper. Both poetical figures and the smaller novel production of flowist literature are deeply characterized by the significant role of involuntary memory, and mostly wrote prose through stream of consciousness – expanding on the pioneer work by Yukahināri during the previous century, most notably in Tramway to the Beach. | ||