Literature:Themsaran/Music theory: Difference between revisions

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	Mách kvýldiŋgávini íe spásŧramávini gošminût, míchéibruaštnût at miklēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ȳflanâ a̋thmâ bórŧȉl mylmūché, ie faŧǐenıâ ħléšâ chýļím kémiekêm íeláš ~~rušŋodimêch~~ snamígašŧ ánèl.		Mách kvýldiŋgávini íe spásŧramávini gošminût, míchéibruaštnût at miklēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ȳflanâ a̋thmâ bórŧȉl mylmūché, ie faŧǐenıâ ħléšâ chýļím kémiekêm íeláš rušŋodimêich snamígašŧ ánèl.

	''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.''		''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.''