Literature:Themsaran/Music theory: Difference between revisions

Literature:Themsaran/Music theory (view source)

1 byte added , 20 December 2013

no edit summary

6,788

edits

Revision as of 15:35, 16 December 2013 (view source) Ílchőfti Lēmáthīd (talk \| contribs) No edit summary ← Older edit		Revision as of 05:15, 20 December 2013 (view source) Ílchőfti Lēmáthīd (talk \| contribs) No edit summary Newer edit →
Line 1:		Line 1:
	Mách kvýldiŋgávini íe spásŧramávini gošminût, míchiréibruaštnût at mikirlēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ylthanâ a̋thmâ bórŧȉl mylmūché, ie faŧǐenıâ ħléšâ chýļím ke̋miekêm íeláš rušŋodimêich snamígašŧ ánèl.		Mách, kvýldiŋgávini íe spásŧramávini gošminût, míchiréibruaštnût at mikirlēstnevût glé títhâr hádísir, tŋí máugamavaħá ħléšîl d'ylthanâ a̋thmâ bórŧȉl mylmūché, ie faŧǐenıâ ħléšâ chýļím ke̋miekêm íeláš rušŋodimêich snamígašŧ ánèl.

	''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.''		''Enumerated and expounded herein are the intervals, formed by juxtaposing or combining two notes, as used appropriately in holy music for service to our gods, and the proper method of tuning each of them and also of adjusting them for taste.''