Verse:Irta/Music: Difference between revisions

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*Shadvidhamārgini: C Db Eb F# G A Bb
*Shadvidhamārgini: C Db Eb F# G A Bb
*Suvarnāngi: C Db Eb F# G A B
*Suvarnāngi: C Db Eb F# G A B
*Devavijayasri: C Db Eb F# G A# B
*Dhavalāmbari: C Db E F# G Ab Bbb
*Nāmanārāyani: C Db E F# G Ab Bb
*Kāmavardhini: C Db E F# G Ab B
*Rāmapriya: C Db E F# G A Bb
*Gamakakriya: C Db E F# G A B
*Vāmanapriya: C Db E F# G A# B
*Shyāmasundari: C D Eb F# G Ab Bbb
*Chāmaram: C D Eb F# G Ab Bb
*Simhavarāli: C D Eb F# G Ab B
*Hemavati: C D Eb F# G A Bb
*Dharmavati: C D Eb F# G A B
*Nītimati: C D Eb F# G A# B
*Yatisāranga: C D E F# G Ab Bbb
*Ratipriya: C D E F# G Ab Bb
*Latāngi: C D E F# G Ab B
*Bhūshavati: C D E F# G A Bb
*Mechakalyāni: C D E F# G A B
*Chittabhūshani: C D E F# G A# B
*Satyavrittam: C D# E F# G Ab Bbb
*Jyotisvarūpini: C D# E F# G Ab Bbb
*Dhātuvardhini: C D# E F# G Ab B
*Nāsāmani: C D# E F# G A Bb
*Kosalam: C D# E F# G A B
*Rasikapriya: C D# E F# G A# B


== Primodality ==
== Primodality ==
=== Evolution ===
=== Evolution ===
Primodality is invented in Cualand. Like in our timeline, primodality is chord-scale theory applied to overtone scales. In Irta, chord-scale theory arises within the Irta Arab maqam tradition (which has a standardized abstract gamut) whereas the original maqam culture survives in other cultures such as Turkic and Corsican music.
Primodality is invented in Cualand. Like in our timeline, primodality is chord-scale theory applied to overtone scales. In Irta, chord-scale theory arises within the Irta Arab maqam tradition (which has a standardized abstract gamut) whereas the original maqam culture survives in other cultures such as Turkic and Corsican music.
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