7,731
edits
Tags: Mobile edit Mobile web edit |
No edit summary Tags: Mobile edit Mobile web edit |
||
Line 69: | Line 69: | ||
====Artistic movements and composers==== | ====Artistic movements and composers==== | ||
The Second Viennese school isn't a thing in Irta; the equivalent is a resurgence of modes developed in Irta's Ireland as a classical take on Irtan Irish Romanticism. Pandiatonicism as well as a total abandonment of earlier classical musical gestures is a part of this trend. | The Second Viennese school isn't a thing in Irta; the equivalent is a resurgence of modes developed in Irta's Ireland as a classical take on Irtan Irish Romanticism. Pandiatonicism as well as a total abandonment of earlier classical musical gestures is a part of this trend. This is part of a broader artistic movement that features asemic writing and abstract painting. | ||
The most popular 19th century Western composer in Irta is Mahi Driu, who was also a cello virtuoso. She wrote over 50 string quartets, 6 cello suites and several concerti for cello and string ensemble. | The most popular 19th century Western composer in Irta is Mahi Driu, who was also a cello virtuoso. She wrote over 50 string quartets, 6 cello suites and several concerti for cello and string ensemble. |
edits