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*Falling or tone-3 – short falling or low tone: ''ràgas'' [ˈrɑ̀.gɑ̄s] (Western ''rògas'' [ˈrò.gɑ̄s]) “horn”. The stressed syllable receives a downstep if the preceeding word has either tone-1 or tone-2. | *Falling or tone-3 – short falling or low tone: ''ràgas'' [ˈrɑ̀.gɑ̄s] (Western ''rògas'' [ˈrò.gɑ̄s]) “horn”. The stressed syllable receives a downstep if the preceeding word has either tone-1 or tone-2. | ||
Tones 1 and 2 are only possible for long syllables – those containing either a long monophthong, a diphthong, or a short vowel followed by a sonorant in a closed syllable. Short stressed syllables receive tone-3 by default. Unstressed syllables harmonise with the stressed syllable, they do not receive a distinct tone on their own, but keep the pitch height of the stressed syllable. | Tones 1 and 2 are only possible for long syllables – those containing either a long monophthong, a diphthong, or a short vowel followed by a sonorant in a closed syllable. Short stressed syllables receive tone-3 by default, historically the distinction in pitch neutralised in short syllables to a low tone. Unstressed syllables (both short and long) harmonise with the stressed syllable, they do not receive a distinct tone on their own, but keep the pitch height of the stressed syllable. Historically some unstressed long syllables could receive rising pitch (tone-1), which used to be independent from the stress position, while all other long syllables received tone-2. However, the pitch distinction was later lost on all unaccented syllables, turning into the intonation distinction that spreads through the whole accented word. | ||
==Grammar== | ==Grammar== |
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