Tseer: Difference between revisions
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[[Lakovic languages/Swadesh list|Swadesh list for Tseer]]<br/> | [[Lakovic languages/Swadesh list|Swadesh list for Tseer]]<br/> | ||
[[Tseer/Sketchbook]] | [[Tseer/Sketchbook]] | ||
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''' | '''Tseer''' was a prominent classical language of Talma, second to [[Windermere]]; it left a significant influence on [[Windermere]] and [[Skellan]]. | ||
==Todo== | ==Todo== |
Revision as of 04:38, 30 December 2019
Tseer/Lexicon
Swadesh list for Tseer
Tseer/Sketchbook
Tseer | |
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døludx Tseer | |
Created by | IlL |
Setting | Verse:Tricin |
Lakovic
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Tseer was a prominent classical language of Talma, second to Windermere; it left a significant influence on Windermere and Skellan.
Todo
Diachronics
Compared to Classical Windermere, Classical Tseer has more conservative vowels but less conservative consonants.
Unlike Windermere, Tseer vocalized some laryngeals in clusters, namely *Q and *f.
Vocalized *f, vowels which were colored by *f, and u-umlaut of /a/ and /e/ are the main sources of /ø/ in Tseer.
The laryngeals *X ("far laryngeal") and *H ("near laryngeal") produced breathy vowels, which eventually became nasal vowels. (In Ashanic, *f functions as the far laryngeal.)
- Nasal vowels merge with nonnasal vowels before m/n/ng/l
- Final -ng disappears leaving nasalization (as in Skellan)
- p > f
- final -g, -w disappear
- ś, g > kh /x/
- s- > *θ > t /t/
- š-, y- > x-
- t- > dh /D/
- -s > -x, *s backs to s following ruki; feminine -s becomes -kh
- c, ć > tx, ts
- CäC- > CaC-
Phonology
Consonants
Classical Tseer has 21 phonemic consonants: Syllable-final v ð are allophones of /b d/, and syllable final b d g are allophones of /p t k/.
m n ng /ŋ/
t th /ʈ/ k ' /ʔ/
b d dh /ɖ/ g
f x /s~z/ kh /x/ h
tx /ts/ ts /tʃ/
v ð /ð/ (only syllable finally)
w r /r̝~ʒ/ l y /j/
- Notes
- /x/ is [ʂ] in some dialects
- b d g = [p t k] word-finally.
Vowels
Classical Tseer has 10 vowels: 6 oral and 4 nasal.
a e i o u ø /a e i o u ɵ/
aa ee oo øø /ã ẽ õ ɵ̃/
/ɵ/ will be transcribed as /ø/ for convenience.
Stress
Classical Tseer had no stress.
Phonotactics
No initial clusters are allowed; also, final -p -t -th -k are forbidden.
Morphology
Classical Tseer morphology is much like Classical Windermere: nouns have masculine and feminine gender, and verbs inflect for aspect, tense, voice, and gender agreement using prefixes, infixes and reduplication.
Pronouns
I | we (inc. du.) | thou (m.) | thou (f.) | he | she | we (exc.) | we (inc. pl.) | you (m. pl.) | you (f. pl.) | they (m.) | they (f.) | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Full pronouns | ree | baa | khen | kheex | in | eex | aarir | baaba | kheekhe | kheekhex | inin | inix |
Correlatives
Todo: correlatives table
this, that = ti, fi
this/that man = ten, fen; this/that woman = teex, feex
here, there = mid, mif
Nouns
Like Classical Windermere, each noun has an intrinsic gender, either masculine or feminine. For most feminine nouns, the feminine is marked with -kh (from PLak *-s).
- ativ = son-in-law; ativkh = daughter-in-law
- bakhoo = uncle; bakhookh = aunt
- athaay = lion; athaaykh = lioness
Plurals are formed by reduplication with the reduplicant modified for phonotactic or euphonic reasons.
- athaay 'lion' > a'athaay 'lions'
- moog 'feather' > momoog 'feathers'
TODO: plural reduplication rules
Verbs
Verb template
feminine-TAM-pluractionality-voice-ROOT-TAM
Agreement
Feminine subject: wa-
- Danutx-ir ownax /da'nutsir ow'nas/ = I loved the girl (male speaker)
- Wadanutx-ir ownax /wada'nutsir ow'nas/ = I loved the girl (female speaker)
Voice
- Passive: haa- (~ Windermere ha-)
- Reflexive/Reciprocal: ⟨ax⟩ (~ Wdm ⟨iș⟩)
Verbal number
Pluractionality is used when a verb is done multiple times or done to multiple objects.
Pluractionality: Fe-, FeL-, eeFe- or eeFeL- (cf. Windermere frequentative enFă-)
TAM
Aspects/Tenses:
- Perfective aspect: unmarked
- Intensive: tho-, ~ Wdm. thu-
- Imperfective aspect: le- or reduplication
- Progressive: oL-, oo- (~ Wdm. ăL-, Modern oL- with non-past meaning)
- Imperative: af- (~ Wdm. hef-; Modern Tseer uses xa- for imperative)
Poetry
Rhyme
Like in Hebrew piyyutim, to count as a rhyme the initial consonants of the last syllables also have to match, not just the rimes. For example, fothaay rhymes with athaay but not with gobaay.
Meter
Classical Tseer poetry is based on lines with
- a prescribed number of syllables
- a caesura somewhere in the middle
- the lines rhyme in some rhyme scheme, usually in rhyming couplets (aa) or rhyming quatrains (aaaa).
We use "m+n" to denote a meter of m syllables + caesura + n syllables.
Some meters were:
- 4+4
- 4+6
- 5+5
- 6+4
- 4+7
- 6+5
- 6+6
- 7+7