Verse:Hmøøh/Talma: Difference between revisions
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*Tsâhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales | *Tsâhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']] is published ~> tonality diamonds, Partchian scales | ||
*more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time. | *more ppl are composing; n-anies and other CPS's; development in non-tuning aspects of music such as forms and texture; emergence of opera; more instrumental; instruments start to assume modern form. Modulations start to become more common. Music mostly sounds "sweet" up to this time. | ||
*"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras; higher-limit (occasionally with ratios of 17, 19, 23, 29, 31) harmony is a given | *"Romantic" period: freer use of expressive "dissonant" harmony; expansion in available timbres, longer music and larger orchestras; higher-limit (occasionally with ratios of 17, 19, 23, 29, 31) harmony is a given | ||
**Think Ben Johnston's String Quartet 6 | |||
*Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sjogreo favored. Some see this as a step to democratizing music. | *Temperament period: constant structures and non-meantone rank-2 temperaments; more "Baroque" in its approach to counterpoint; chamber music and sjogreo favored. Some see this as a step to democratizing music. | ||
**Fugues/canons in weird temperaments is Etalocin's serialism analogue | **Fugues/canons in weird temperaments is Etalocin's serialism analogue | ||