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==External history== | ==External history== | ||
''Chlouvānem'' is the language I – ''[[User:Lili21|lilie21]]'' – consider my main conlang, as it is my [[Verse:Calémere|Calémere]] conworld project's most developed and a spiritual successor of all conlangs I've created focussing the most on ever since I was a kid (well, to be fair the earliest ones were just natlang-mimicking relexes). Due to this, while mainly thought for my conworld, it is, more than any other conlang of mine, on the border between being an artlang or a heartlang. | ''Chlouvānem'' is the language I – ''[[User:Lili21|lilie21]]'' – consider my main conlang, as it is my [[Verse:Calémere|Calémere]] conworld project's most developed and a spiritual successor of all conlangs I've created focussing the most on ever since I was a kid (well, to be fair the earliest ones were just natlang-mimicking relexes). Due to this, while mainly thought for my conworld, it is, more than any other conlang of mine, on the border between being an [[Artistic language|artlang]] or a heartlang. | ||
Chlouvānem is an a priori language, yet it takes inspiration from about a dozen natlangs in aesthetics, morphophonology, syntax, though mainly by taking a starting point and then developing those features as I want and as they fit together best. ''Sanskrit'', ''Lithuanian'', and ''Persian'' are the languages I was most inspired by, and there are to various extents other influences by ''Russian'', ''Adyghe'', ''Hindustani'', ''Japanese'', ''Proto-Indo-European'', ''Old Tupi'', ''Matses'', ''Tucano'', ''Nambikwara'', and ''Ancient Greek'', as well as its in-world use which is inspired by ''Arabic'' and ''Chinese languages''. Overall it might seem IE at a first glance, but it is radically different in a few points which make it strikingly different (like the combination of Austronesian alignment, topic-prominence, and strongly head-final syntax). | Chlouvānem is an a priori language, yet it takes inspiration from about a dozen natlangs in aesthetics, morphophonology, syntax, though mainly by taking a starting point and then developing those features as I want and as they fit together best. ''Sanskrit'', ''Lithuanian'', and ''Persian'' are the languages I was most inspired by, and there are to various extents other influences by ''Russian'', ''Adyghe'', ''Hindustani'', ''Japanese'', ''Proto-Indo-European'', ''Old Tupi'', ''Matses'', ''Tucano'', ''Nambikwara'', and ''Ancient Greek'', as well as its in-world use which is inspired by ''Arabic'' and ''Chinese languages''. Overall it might seem IE at a first glance, but it is radically different in a few points which make it strikingly different (like the combination of Austronesian alignment, topic-prominence, and strongly head-final syntax). | ||