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Verse:Yunyalīlta: Difference between revisions
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There are typically countless ''kaihai'', with many of them being subject to local worship (not unlike patron saints in Christianity), but some are universally recognized and wander between their places of worship. ''Kaihai'', represented as mythical animals or hybrid animal-plant creatures, rarely with humanoid features, are extremely common subjects in every Chlouvānem art. Statues and other depictions of ''kaihai'' may be found nearly everywhere in the Chlouvānem world, including decorations on panel apartment blocks or in subway stations. | There are typically countless ''kaihai'', with many of them being subject to local worship (not unlike patron saints in Christianity), but some are universally recognized and wander between their places of worship. ''Kaihai'', represented as mythical animals or hybrid animal-plant creatures, rarely with humanoid features, are extremely common subjects in every Chlouvānem art. Statues and other depictions of ''kaihai'' may be found nearly everywhere in the Chlouvānem world, including decorations on panel apartment blocks or in subway stations. | ||
===Theism=== | |||
'''Nāgātarlā''' (or ''nakṣātarlā'') is a Yunyalīlti school which identifies the natural manifestations of the ''yunya'' as aspects (''yunivāyam'', pl. ''yunivāyāk''), which are effectively a theistic point of view: such aspects are divided (in mainstream ''nāgātarlā'') into ''nāgāk'' (or ''nākṣāk'', sg. ''nāgam'' / ''nakṣam''), manifestations of the Immutable (''taminikī yunivāyāk'', i.e. "Gods" of elements of the environment) and ''haligāk'' (sg. ''haligam''), manifestations of the Transient (''halilaunikī yunivāyāk'', i.e. "Gods" of sensations and feelings). | |||
===Afterlife and rebirth=== | ===Afterlife and rebirth=== | ||