Chlouvānem: Difference between revisions

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| '''Sound'''  || /ɴ/ || /ʔ/ || /ɦ/ || /ʀ/ || /ɴ̆/, [ŋ] || /ʲ/ || /i/ || /iː/ || /i̤/ || /u/
| '''Sound'''  || /ɴ/ || /ʔ/ || /ɦ/ || /ʀ/ || /ɴ̆/, [ŋ] || /ʲ/ || /i/ || /iː/ || /i̤/ || /u/
|-
|-
| '''Letter'''  || '''ū''' || '''ų''' || '''e''' || '''ė''' || '''ę''' || '''o''' || '''æ''' || '''ǣ''' || '''a''' || '''ā'''  
| '''Letter'''  || '''ū''' || '''ų''' || '''e''' || '''ē''' || '''ę''' || '''o''' || '''æ''' || '''ǣ''' || '''a''' || '''ā'''  
|-
|-
| '''Sound'''  || /uː/ || /ṳ/ || /e/ || /eː/ || /e̤/ || /ɔ/ || /ɛ/ || /ɛː/ || /a/ || /aː/  
| '''Sound'''  || /uː/ || /ṳ/ || /e/ || /eː/ || /e̤/ || /ɔ/ || /ɛ/ || /ɛː/ || /a/ || /aː/  
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* '''l''' is ''lǣlas'' and '''r''' is ''rairas''. '''ṃ''' is, uniquely, ''nālkāvi'' and the palatalizing sign is called ''hærūñjīma''.
* '''l''' is ''lǣlas'' and '''r''' is ''rairas''. '''ṃ''' is, uniquely, ''nālkāvi'' and the palatalizing sign is called ''hærūñjīma''.
* Short vowels are VtV*s, where the second V is ''a'' for '''æ''' (''ætas''), ''i'' for '''e''' (''etis''), and ''u'' for '''o''' (''otus'').
* Short vowels are VtV*s, where the second V is ''a'' for '''æ''' (''ætas''), ''i'' for '''e''' (''etis''), and ''u'' for '''o''' (''otus'').
* Long vowels are vowel + ''-nis'' if unrounded (''īnis'', ''ėnis'', ''ānis''), but '''ū''', being rounded, is ''ūmus'' if rounded (ūm). Oral diphthongs all have diphthong + ''-myas'' (''aimyas'', ''eimyas''…); '''å''' is counted as a diphthong and as such it is ''åmyas''.
* Long vowels are vowel + ''-nis'' if unrounded (''īnis'', ''ēnis'', ''ānis''), but '''ū''', being rounded, is ''ūmus'' if rounded (ūm). Oral diphthongs all have diphthong + ''-myas'' (''aimyas'', ''eimyas''…); '''å''' is counted as a diphthong and as such it is ''åmyas''.
* Breathy-voiced vowels are vowel + /ɦ/ + vowel + s (''įis'', ''ąas'', ''ųus'', but ''ęas''). Breathy-voiced diphthongs are diphthong + /ɕ/ + ''as'' (''ąišas'', ''ęišas'', ''ąušas'').
* Breathy-voiced vowels are vowel + /ɦ/ + vowel + s (''įis'', ''ąas'', ''ųus'', but ''ęas''). Breathy-voiced diphthongs are diphthong + /ɕ/ + ''as'' (''ąišas'', ''ęišas'', ''ąušas'').


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The romanization here used for Chlouvānem is adapted to English conventions, with a few adjustments made to better reflect how written Chlouvānem looks on Calémere:
The romanization here used for Chlouvānem is adapted to English conventions, with a few adjustments made to better reflect how written Chlouvānem looks on Calémere:
* Even if the Chlouvānem script uses scriptio continua and marks minor pauses (e.g. comma and semicolon) with a space between the sentences and a punctuation mark with following space, every word is divided when romanized, including particles. The only exceptions to this are compound verbs, which are written as a single word nevertheless (e.g. ''yųlakemaitiāke'' "to be about to eat" '''not''' *yųlake maitiāke). English punctuation marks are used in basic sentences, including a distinction between comma and semicolon. In longer texts, particularly in the "examples" section, ''':''' will be used to mark a comma-like pause (a space in the native script) and '''।।''' will be used for a full-stop-like pause (written very similarly to ।। in the native script).
* Even if the Chlouvānem script uses scriptio continua and marks minor pauses (e.g. comma and semicolon) with a space between the sentences and a punctuation mark with following space, every word is divided when romanized, including particles. The only exceptions to this are compound verbs, which are written as a single word nevertheless (e.g. ''yųlakemaitiāke'' "to be about to eat" '''not''' *yųlake maitiāke). English punctuation marks are used in basic sentences, including a distinction between comma and semicolon. In longer texts, particularly in the "examples" section, ''':''' will be used to mark a comma-like pause (a space in the native script) and '''।।''' will be used for a full-stop-like pause (written very similarly to ।। in the native script).
* As the Chlouvānem script does not have lettercase, no uppercase letters are used in the romanization, except to disambiguate cases like ''lairė'' (noun: sky, air) and ''Lairė'' (female given name), and for proper nouns written in isolation.
* As the Chlouvānem script does not have lettercase, no uppercase letters are used in the romanization, except to disambiguate cases like ''lairē'' (noun: sky, air) and ''Lairē'' (female given name), and for proper nouns written in isolation.


===Writing===
===Writing===
The Chlouvānem script is almost entirely composed of curved lines as, initially, it was written on leaves with reeds (''fålka'', pl. ''fålkai'') or brushes (''lattah'', pl. ''lattai''). With the invention, in the late 5th millennium, of paper (traditional Chlouvānem paper or ''mirtah'' is handmade by fibres from various types of wooden bushes; traditional papermaking is still important today as formal handwritten documents are usually written on traditional paper), the use of reeds or brushes often became region-dependant; the reeds of the ''ñagala'' plant became the dominant writing tool in most of the plains, as this plant abundantly grows by the river shores; in the Jade Coast, brushes (whose "hair" are actually fibres of wetland plants such as the ''jalihā'') were preferred.<br/>
The Chlouvānem script is almost entirely composed of curved lines as, initially, it was written on leaves with reeds (''fålka'', pl. ''fålkai'') or brushes (''lattah'', pl. ''lattai''). With the invention, in the late 5th millennium, of paper (traditional Chlouvānem paper or ''mirtah'' is handmade by fibres from various types of wooden bushes; traditional papermaking is still important today as formal handwritten documents are usually written on traditional paper), the use of reeds or brushes often became region-dependant; the reeds of the ''ñagala'' plant became the dominant writing tool in most of the plains, as this plant abundantly grows by the river shores; in the Jade Coast, brushes (whose "hair" are actually fibres of wetland plants such as the ''jalihā'') were preferred.<br/>
Today, pens (''titė'', pl. ''titiai'') are the main writing tool together with graphite pencils (''baute'', pl. ''bautiai''). Non-refillable dip pens were the first to be introduced - an Evandorian invention that was "seized" by the Chlouvānem during the early 7th millennium occupation of Kátra, a Nordûlaki colony on Ogúviutón - and with the advent of industrial papermaking they became more and more popular; fountain pens were evolved from them first in Nivaren, and in 6291 (3785<sub>12</sub>) the first fountain pen manufacturer in the Inquisition opened. Ballpoint pens are, on Calémere, a much recent invention, and first appeared in the Inquisition about forty years ago. They are still not used as much as fountain pens when writing on normal paper.<br/>
Today, pens (''titē'', pl. ''titiai'') are the main writing tool together with graphite pencils (''baute'', pl. ''bautiai''). Non-refillable dip pens were the first to be introduced - an Evandorian invention that was "seized" by the Chlouvānem during the early 7th millennium occupation of Kátra, a Nordûlaki colony on Ogúviutón - and with the advent of industrial papermaking they became more and more popular; fountain pens were evolved from them first in Nivaren, and in 6291 (3785<sub>12</sub>) the first fountain pen manufacturer in the Inquisition opened. Ballpoint pens are, on Calémere, a much recent invention, and first appeared in the Inquisition about forty years ago. They are still not used as much as fountain pens when writing on normal paper.<br/>
The traditional ''fålkai'' and ''lattai'' have not disappeared, as both are still found and used - even if only with traditional handmade paper. Both are commonly used for calligraphy as well as in various other uses: for example, [[w:Banzuke|banzuke]] papers for tournaments of most traditional sports are carefully handwritten with reed pens, as are many announcements by local temples (written with either reed pens or brushes); a newer type of brush pen (much like Japanese [[w:Fudepen|fudepen]]s) has proven to be particularly popular even in everyday use (both with traditional and modern industrial paper) in the Jade Coast area - many Great Inquisitors from there, including incumbent Hæliyǣšavi Dhīvajhūyai ''Lairė'', have been seen writing official document with such kind of pens.
The traditional ''fålkai'' and ''lattai'' have not disappeared, as both are still found and used - even if only with traditional handmade paper. Both are commonly used for calligraphy as well as in various other uses: for example, [[w:Banzuke|banzuke]] papers for tournaments of most traditional sports are carefully handwritten with reed pens, as are many announcements by local temples (written with either reed pens or brushes); a newer type of brush pen (much like Japanese [[w:Fudepen|fudepen]]s) has proven to be particularly popular even in everyday use (both with traditional and modern industrial paper) in the Jade Coast area - many Great Inquisitors from there, including incumbent Hæliyǣšavi Dhīvajhūyai ''Lairē'', have been seen writing official document with such kind of pens.


Pens themselves are often artisanal products and in many cases Chlouvānem customers prefer refillable ones; many people have tailor-made sets of pens and almost always carry one with them.
Pens themselves are often artisanal products and in many cases Chlouvānem customers prefer refillable ones; many people have tailor-made sets of pens and almost always carry one with them.
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